As with most Number Ones, this song was definitely on the radio a lot at the time, but that didn’t help for me: I absolutely loathed this song. I liked the sound well enough, and yet… Okay, here’s the thing: As the son and grandson of Lutheran preachers, I was well aware of what “kyrie” means in Christian use: Kýrie, eléison; Christé, eléison; Kýrie, eléison. which roughly translates as "Lord, have mercy; Christ, have mercy; Lord, have mercy." In Lutheran liturgy, the Kyrie was a particular part of Sunday services. At the time this song was popular, I still considered myself a Lutheran, though I’d probably already left the church mentally, BUT I was definitely already a committed secularist, and, at the very best, very most charitable, I felt this song was inappropriately proselytising, and I didn’t like that—at all. For historic context, this was the same era in which self-proclaimed “christians” were by far the most strident (and wealthiest) opponents the LGBT+ communities faced (not unlike these days…).
I was surprised when I researched this post and learned that, according to the Wikipedia article linked above, “According to [co-composer and lead vocalist Richard] Page's statements, he was initially skeptical about singing the Christian text Lang had written because he didn't want to make a ‘religious statement’”. So, even he realised it was religious. What I also learned, though, is something I was obvlivious to:
There is a myth that singer Richard Page wrote "Kyrie" while lying in a hospital bed after being assaulted. It was John Lang who had been assaulted three years before the composition; Lang has stated that the incident has nothing to do with the song.Well, okay then. I guess. Personally, I don’t think that any of that that cleared up the religiosity (or lack of) in the song, and that was always the sticking point I just couldn’t get past, even though I liked the sound of the song well enough. Once again, this is an example of something that wasn’t the first or last time such a thing would happen.
“Kyrie” reached Number 11 in Australia, Number One in Canada, 30 in New Zealand, 11 in the UK, and Number One on the USA’s “Billboard Hot 100”, as well as their “Mainstream Rock” chart. The song was also Number One on the Cashbox “Top 100 Singles” chart. The linked Wikipedia article doesn’t provide any certification information. Also, I see that it charted worst in Australia and New Zealand, arguably the least religious countries I write about—though I stress that may or may not be relevant.
The Welcome to the Real World album reached Number 17 in Australia, Number 2 in Canada (3x Platinum), Number 21 in New Zealand, Number 6 in the UK (Gold), and Number 1 on the USA’s “Billboard 200” chart. The album was certified Platinum in the USA.
This series will return in two weeks, on March 15, with the next new Number One from 1986, and it's also the first one-week hit of the year.
Previously in the “Weekend Diversion – 1986” series:
Weekend Diversion: 1986, Part 1 – January 18, 2026
Weekend Diversion: 1986, Part 2 – February 15, 2026